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Si Ty Garrett Segall  ipinanganak noong Hunyo 8, ay isang Amerikanong multi-instrumentalist, singer-songwriter at record producer. Kilala siya sa kanyang karera ng solo na karera kung saan naglabas siya ng labing isang album sa studio, kasama ang iba't ibang mga EP, pag-iisa, at mga album ng pakikipagtulungan, kasama ang isang na naitala na may live na banda na sinisingil bilang Ty Segall Band at isa pa mula sa parehong taon sa Tim Presley ng White Fence. Sa live na pagtatanghal, si Segall ay kasalukuyang sinusuportahan ng the Freedom Band , na binubuo ng mga regular na nakikipagtulungan na sina Mikal Cronin bass , Charles Moothart tambol , at Emmett Kelly gitara , naglalaro sa tabi nina Ben Boye piano at Shannon Lay. Ang kanyang nakaraang mga banda sa pag-back ay ang Ty Segall Band , na binubuo ng Cronin bass , Moothart gitara , at Emily Rose Epstein mga tambol , ang Muggers , isang mataas na konsepto ng banda na nabuo noong at binubuo ng Cronin bass, sax , Kelly gitara , Kyle Thomas gitara at Wand's Cory Hanson mga keyboard, gitara at Evan Burrows tambol , at ang Sleeper Band , na binubuo nina Sean Paul gitara , Andrew Luttrell bass at Moothart tambol. Noong , nilagdaan ni Segall ng fellow- garage rock act ng Wand sa label at pagkatapos ay inanyayahan silang sumali sa kanya sa paglilibot.
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Musicians usually make their grand statements on albums, where they have plenty of time and a bunch of songs in which to make a coherent statement. Listening to Ty Segall 's solo albums since leaving the Epsilons , it's hard not to notice the stylistic progression as he moved from minimalist garage rock into noisy psychedelics and then more measured pop statements. This evolution is less obvious on the singles he's released, and while you can certainly tell several years have passed as the collection Singles which, as the title suggests, collects non-LP singles Segall released over the space of four years plays through, the big difference seems to be a matter of fidelity and instrumentation -- on the early tracks, Segall has just a fuzzed-out guitar, bare-bones drumming, and a cheap tape machine at his disposal, while as he goes along, the recording setup gets a bit more sophisticated, the occasional instrumental overdub or accompanying musician gives the songs a broader melodic palette, and it all allows the melodies to shine a bit brighter. But if the textures on early tracks are rough, "Where We Go," "Sweets," or "Booksmarts" aren't strikingly different as songs than "Maria Stacks," "Lovely One" and "Happy Creeps," even if he's refined his formula a bit over time.